A further five F-35 Lightning jets have landed in their new permanent British home after being flown from the US.
A stunning sunset greeted the Royal Air Force and Royal Navy pilots as they entered UK airspace, flying over South West England on Friday evening following their 4,100-mile (6,600km) journey across the Atlantic Ocean.
The flight from US Marine Corps Air Station Beaufort in South Carolina marked the second wave of the jets arriving at their new base of RAF Marham in Norfolk, which is now home to nine of the supersonic stealth aircraft.
One can never experience an ad in a vacuum. But Sony's "Paint" surely bears a particularly crushing contextual weight, following as it did the (IMHO) spectacular, affecting, all-round winner "Balls." Add a lead-up PR campaign by Sony that generated audience expectation, a known and respected director, and the industry's natural inclination to hate things, and "Paint" was practically destined to be a let-down for ad critics.
But let's step back and examine the context and the object for a minute. The PR campaign was a noteworthy and laudable thing in its own right. The advertiser and the agency should get points for creating public awareness and excitement online about the making of a commercial, and those points can be added to the ones scored for creating the daring "Balls" and its attendant cultural splash in the first place. In the case of "Paint," Sony and Fallon made sure you knew roughly what you were getting going in, which in itself was a smart move, and the execution delivered on the promise.
"Balls" put Bravia on the map and "Paint" does everything a commercial, circa 2006 should do to keep it there.
This is to say nothing of those few seconds of clown footage, which in themselves made "Paint" an easy pick o' the week.
If you are curious just how flawless a two-man team of highly trained warriors works in conjunction with one another, take a look at this video and see just what highly trained soldiers are capable of doing together.